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forms2-2021.10032930 | Egal mit welcher Grenze man getrennt wird, im Herzen bleibst du die Person, die du kennengelernt hast. | 2021 | ||
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forms2-2021.10032209 | Maze + Wind II | 2021 | ||
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forms2-2021.10065749 | making your so-called justice obsolete | 2021 | ||
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forms2-2021.10065752 | Consent & Tattooing | 2021 | ||
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forms2-2018.909091 | Der Akt Fotografieren. Eine künstlerisch-praktische Untersuchung des Moments des Abdrückens | 2018 | ||
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forms2-2018.909187 | The characteristics of dogs. Fine Art Print auf Alu, je 60 x 90 cm | 2018 | ||
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forms2-2018.912340 | Untitled | 2018 | ||
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forms2-2021.10094371 | Einstein’s dreams. What are possible scenarios of theatre development and a new form of theatre after the pandemic? | 2021 | ||
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forms2-2021.10098429 | Terra Ignota. Machine Learning for Visual Research | 2021 | ||
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forms2-2018.932387 | It's all going very well, no problems at all | 2018 | ||
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zotero2-2327162.24DQ5F8M | Robert D.Kaplan über die Welt mit Donald Trump | 2017-01-26 | ||
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zotero2-2327162.NQH63TNN | Julius von Bismarck | 2010-10-30 | ||
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forms2-2021.10122530 | Flowing Nature. On Translating the Visual Qualities of the Rhine River | 2021 | ||
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forms2-2021.10174180 | Die künstlerische Arbeit als Selbstgespräch/Zwiegespräch – eine Entdeckungsreise | 2021 | ||
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forms2-2021.10142855 | MEN CRYING: DISCO LOCKER ROOM, TONY FROM SKINS, I’M NOT CRYING | 2021 | ||
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forms2-2022.10066740 | I HIT MY HEAD TOO HARD, NOW ALL I SEE IS STARS | 2022 | ||
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forms2-2022.10072524 | Invisible Borders. An outsider's perspective through a participatory approach | 2022 | ||
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forms2-2022.10066750 | It belonged to time now, to history; was past the touch and control of the living | 2022 | ||
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forms2-2022.10067274 | we used to be straight | 2022 | ||
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forms2-2022.10098972 | Heute hier, morgen dort. Die Zukunft kommt schneller als gedacht | 2022 | ||
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forms2-2022.10098923 | COLLECTIVE COLLECTION. Mit Lu, Lea, Samira, Luisa | 2022 | ||
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forms2-2018.830327 | Plats de Résistance | 2018 | ||
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forms2-2018.970908 | VERSIONS | 2018 | ||
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forms2-2018.969908 | Der nie zu fixierende Zustand des Dazwischen | 2018 | ||
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forms2-2022.10144978 | naughty lil Thomas | 2022 |