|   | signature | titel | year | Artiste | event |
|---|---|---|---|---|---|
|
|
forms2-2019.10033861 | Tralala | 2019 | ||
|
|
forms2-2020.974746 | FANFARE | 2020 | ||
|
|
forms2-2020.975019 | Gauss Dufour S | 2020 | ||
|
|
forms2-2020.975352 | le souffle court | 2020 | ||
|
|
forms2-2020.10027236 | On Visualizing Urban Gardens. A study on how visuals can get people to garden in cities, through a digital tool. | 2020 | ||
|
|
forms2-2020.10026388 | Volta. Energiebereitstellung für eine künftige E-Möbilität in der Landwirtschaft | 2020 | ||
|
|
forms2-2020.10027704 | Cui Bono. Spiel als Instrument der Vermittlung | 2020 | ||
|
|
forms2-2022.946033 | FREIHYPE — EINE HOMMAGE AN DIE INTRINSISCHE MOTIVATION | 2022 | ||
|
|
forms2-2022.939635 | Marjorie Rice, Nr. 9, 1976; Marjorie Rice, Nr. 11, 1976; Marjorie Rice, Nr. 12, 1976; Marjorie Rice, Nr. 13, 1977 | 2022 | ||
|
|
forms2-2022.964463 | Erratic Behaviour; Heatwave | 2022 | ||
|
|
forms2-2022.912696 | raízes de rios | 2022 | ||
|
|
forms2-2022.10062765 | Leukonoide Stadt. Ein gesellschaftlicher Versuch des Experimentierens | 2022 | ||
|
|
forms2-2022.10064927 | TANGA TRAGEDY | 2022 | ||
|
|
forms2-2022.10064660 | Hopes and Dreams and Fears | 2022 | ||
|
|
forms2-2022.10064637 | MAULWURF, SCHMETTERLING, BLUME, DELFIN. Eine Versuchsanordnung | 2022 | ||
|
|
forms2-2022.10064752 | nuotare swimming schwimmen | 2022 | ||
|
|
forms2-2022.10064942 | ALL THE COLOURS OF THE RAINBOW | 2022 | ||
|
|
forms2-2021.10033964 | We connect, we layer, we multiply | 2021 | ||
|
|
forms2-2022.10099996 | Übersicht schaffen | 2022 | ||
|
|
forms2-2022.10099726 | moving patterns IV | 2022 | ||
|
|
forms2-2022.10099710 | 24/7 | 2022 | ||
|
|
forms2-2018.912147 | On Robots and Designers | 2018 | ||
|
|
forms2-2021.10066046 | Konfrontation mit der Langsamkeit | 2021 | ||
|
|
forms2-2021.10066029 | Le Homard | 2021 | ||
|
|
forms2-2021.10066575 | If it’s not there today it’ll be there tomorrow. | 2021 |